How do I start with preparing for the unseen poetry section?

Very occasionally I respond to posts on Reddit, and a few days ago someone asked for notes on unseen poetry. My response:

I’ve found Edward Hirsch’s writing helpful in helping my students think about poetry more deeply – https://www.poetryfoundation.org/articles/69955/how-to-read-a-poem

For unseen poetry, the band descriptors say that the best answers show a “Sensitive and informed personal response showing close engagement with the text”. Ask your teachers if the use of the personal voice (“I feel”, “it strikes me”, “I have an impression that”, etc) is encouraged, and how you can express that in your literature essays (I’ve found that there sometimes are teachers that will discourage this, so please check your school’s style).

Hirsch’s writing resembles the kind of writing we’d LOVE to see in an essay, especially since he does that “personal response” thing very powerfully (but he’s a GREAT writer, so don’t be concerned about sounding like him, develop your own style).

As always, check the dictionary to ensure that you KNOW the meaning of the words in any text. (I’ve found the Merriam-Webster dictionary most helpful for digging out meanings that aren’t listed in the Lexico or Cambridge dictionaries.)

At the B4/C5 level you probably have some difficulty with understanding the literal meanings of some of the poems, so really try to work at that.

Poetry Foundation also has an app that allows you to spin for random poems, and some of my students have found that helpful too. (Spin till you get one you like, lol.)

Hope this helps!


I want to say more about Edward Hirsch’s book How to Read a Poem: And Fall in Love with Poetry, because it saved my academic life when I was in NUS. If not for it, I probably would have done quite badly, and that’s putting it mildly.

When I entered university fresh from the army, it was already already seven years since I’d last read a poem. That was in my Sec 2 literature class, when my school (a boys’ school famous for students unable to speak Chinese properly) kept on telling those of us who wanted to take literature at the O-levels that “boys generally aren’t very good at literature”. (Ha! Look at me now!)

So, as a 21-year-old entering academia again after 2.5 years in the army, I didn’t dream that I would be able to major in literature, and I definitely couldn’t see a future where I could compete with students who’d been taking literature at the O-levels and the A-levels. I thought I was going to major in psychology. Fortunately, (or unfortunately, depending on your point of view) the entry-level psychology module was mind-numbingly boring, but the entry-level literature module was pure FUN from day 1.

But what could I do, when I was writing essays on poetry, and I was graded on the same scale as the O- and A-level literature kids?

Enter Edward Hirsch’s amazing book. I devoured it, finishing it in about a week (it’s a long one). It saved my life when it came to discussing poetry with the other A-for-A-level-literature kids.

I don’t know if Hirsch expected a young undergraduate to end up falling in love with poetry through his brilliantly written book, when that undergraduate picked up the book out of a desire to get an A for his university assignments and exams. It’s weird how other people’s writing can impact us like that.

I am filled with gratitude that the world carries such treasures such as these!


I tell that story on this website because I want to convey to the students desperate for unseen poetry notes that learning about poetry and how to write about poetry is a process that needs a deep commitment. If you sit down for hours each day to study for a single science paper, you should be doing the same for literature as well.

There is no shortcut.

But I want to reassure you that if you put in the effort to think about poetry and reading more deeply, it will eventually become rewarding and fulfilling to the point where you will never want to give up the habit. And it’s a good habit too.

Hope this helps!